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Moore
film puts Flint area back under scrutiny
FLINT JOURNAL REVIEW
Monday, September 09, 2002
By Ed Bradley
JOURNAL ENTERTAINMENT EDITOR
TORONTO -- When Michael Moore's "Bowling for Columbine" opens
in select cities this fall, patrons can expect the filmmaker's most
Flint-intensive feature since "Roger & Me."
Moore's seriocomic guns-in-America documentary, which opened at the
Toronto International Film Festival over the weekend, spends nearly
one-third of its 125 minutes dealing with the infamous fatal shooting
of 6-year-old Kayla Rolland by a classmate at Buell Elementary in Mt.
Morris Township in February 2000.
Moore uses the Rolland tragedy and others to support his major theme,
that the influence of guns in American culture has produced a firearms-related
murder rate unrivaled worldwide in numbers, media attention and government
sanction.
Among the film's interview subjects, who discuss the Rolland case and
its aftermath, are Genesee County Prosecutor Arthur A. Busch, Sheriff
Robert J. Pickell, Buell's former principal Jimmie Hughes and Mt. Morris
Township police Detective Michael Caldwell.
Buell closed this fall as part of budget cuts in the Beecher district.
Saturday night's public premiere at the Toronto festival, generally
regarded as North America's biggest film showcase, brought Moore a standing
ovation. The left-leaning, Davison-bred director has been a festival
favorite since "Roger & Me," his film about Flint and
General Motors, played there in 1989.
"This will be a difficult film for Americans to watch," Moore
told the Canadian audience after the screening. "It isn't really
about guns as much as it is about the American psyche."
"Bowling for Columbine" premiered last spring at the Cannes
Film Festival in France, where it earned a special Jury Prize as that
festival's first honored documentary in 46 years. It is to be released
to theaters starting in October by United Artists.
The Rolland tragedy occurred while Moore was making a movie in which
another schoolroom tragedy -- the 1999 shootings at Columbine High School
in Littleton, Colo. -- plays a central role.
Moore shows a Detroit TV reporter on the scene in Flint commenting
off-camera about the senselessness of the Rolland shooting, and then
bragging that his footage will be picked up by national news networks.
Busch talks about the pressure put on him by "gun nuts" who
wanted "to hang" the 6-year-old boy who pulled the trigger.
Pickell is shown criticizing state welfare-to-work programs. The film
implies that anti-welfare programs contributed to the neglect of the
boy by forcing his mother, Tamarla Owens, to work out of town at an
Auburn Hills restaurant.
Owens was evicted from her home shortly before the shooting and left
her son with a relative, from whose home the boy gained access to the
gun.
Moore confronts media mogul Dick Clark, whose themed restaurant
at Great Lakes Crossing employed Owens, and interviews actor Charlton
Heston, president of the National Rifle Association. Heston is shown
visiting Flint and Littleton shortly after their respective shootings;
he and other NRA officials spoke at a pro-gun rally at the IMA Sports
Arena in October 2000.
The Toronto festival is considered an important launching spot
for major fall releases, including Academy Award hopefuls. The Detroit-made
"8 Mile," starring rapper Eminem, is being shown here
as a work in progress ahead of its release in November.
Reviews in two major Toronto newspapers greeted "Bowling for Columbine"
with differing views. The Toronto Star said the film "begins with
sharpshooting accuracy and breaks down into scattershot fanaticism."
The Sun lauded it as "great entertainment with socio-political
value."
Moore said he made "Bowling at Columbine" because of his
discontent with the "American mentality" of "every man
for himself" and "I, me, mine."
"(People) are easily manipulated through race and fear to
have guns in their homes," he said, "... and bad things
can happen because of it."
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Ed Bradley is The Journal's assistant features editor and film critic.
He can be reached at (810) 766-6258 or ebradley@flintjournal.com.
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