Bowling for Columbine Logo Bowling for Columbine Logo About the Film Film Clips & Soundtrack Recognition & Press Mike's Action Guide Library Michael Moore.com
Stupid White Men The Culture of Fear It's A Free Country What A Wonderful World

 

Get Involved!
Teacher's Guide


1. Movie Guide
2. Getting Started
3. Discussion Questions/Essay Topics
4. Research Topics
5. Self-Selected Vocabulary
6. Creative Writing Response Project
7. Socratic Seminar Approach
8. Analytical Paragraph Writing
Using Song Lyrics
9. Poetry
10. "Corporate Cops"
11. Bowling for Columbine
& Martin Luther King, Jr.
12. Tolerance Unit
13. Whose Terrorism?
14. Create Your Own Cartoon History
15. Journalism
16. Drama
17. Documentary Film Project
18. Role of the Media
19. The "Real" Reality Television
20. Curricular Connections
21. Contributors & Dedication
22. Mike's Action Guide For Students
 

CREATIVE WRITING RESPONSE PROJECT

As a creative writing response to the film, students will create 5-10 pages of polished, workshopped creative writing and bind them together as books that can be presented in the library as literary responses to Michael Moore's film Bowling for Columbine. In a portfolio each student will create any of the following options or combination of options.

  • A series of 5-7 poems (These poems could focus on a theme from the movie such as fear or touch on a number of different themes.)
  • A short story based on or inspired by the movie
  • A series of vignettes inspired by the movie
  • A stage play inspired by the movie
  • A screenplay inspired by the movie
  • A "rant" or a series of "rants" or other creative non-fiction pieces inspired by the movie

The portfolio must also include 5 appropriate internal illustrations and a cover page with an illustration. The illustrations can be drawings, collages, computer graphics, photographs, etc. The illustrations must act as an enhancement of the writing (make sure they are thematically appropriate to the writing and not just random).

At the end of the unit, the class will do a reading in which each student presents 30 seconds to one minute of their work to the class.

WRITER'S WORKSHOP

At least one day of the unit should be a writer's workshop. In groups of 3-4, students read their rough drafts to each other and get feedback on mechanics, style and content. The following sentence starters can be written on the board or turned into a worksheet that the students complete for each other during the workshop:

  • As a response to Bowling for Columbine, the student author chose to write...
  • The best part of this creative writing is...
  • The place where I thought the author could most improve his/her writing is...
  • The author best captured the essence of Bowling for Columbine when...
  • My favorite three lines of this writer's work are...

 


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